Le Grand Blanc De Lambarene.
(eVideo)

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Published
[San Francisco, California, USA] : Kanopy Streaming, 2015.
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Format
eVideo
Language
French

Notes

General Note
Title from title frames.
Date/Time and Place of Event
Originally produced by California Newsreel in 1995.
Description
A revisionist perspective on Nobel Peace Prize winner Albert Schweitzer rewrites the history of colonialism from the point of view of the colonized. Cameroonian filmmaker Bassek ba Kobhio provides a fascinating revisionist perspective on Albert Schweitzer, Noble Peace Prize winner and secular saint of the colonial era. This film begins to rewrite the history of colonialism from the point of view of the colonized. Le Grand Blanc de Lambaréné is not, however, a facile exercise in iconoclasm but rather a deeply-felt lament for a missed opportunity, for a cross-cultural encounter between Africa and Europe which never happened. Shot on the site of Schweitzer's hospital in Gabon, Bassek ba Kobhio elicits psychologically complex portrayals from his actors as he did in his earlier California Newsreel release, Sango Malo. Behind Schweitzer's impenetrable reserve, Ba Kobhio discovers a man blinded to the people around him by his own spiritual self-absorption and arrogance. For Schweitzer to see himself as a stern but loving father, he had to cast Africans as childlike primitives whom he could protect from the temptations of modernity. He even refused to install electrical generators or institute modern sanitation in his hospital's wards. In the film, an African boy Schweitzer discouraged from becoming a doctor, returns with his degree and rebukes him: "The independence of the people has never been your concern. You only wanted to share their hell in the hope of reaching your heaven." The film reveals that the ultimate tragedy of colonialism may have been its refusal to see and value the colonized as autonomous, creative human beings. Schweitzer knew numerous European languages but never learned to speak the local tongue; he was an accomplished organist and Bach scholar who never evinced any interest in African music. Ba Kobhio represents the richness of Africa through Bissa, a beautiful concubine the local chief gives le Grand Blanc. Though clearly tempted, Schweitzer remains aloof; only at his death does he invite her to sleep in his bed rather than on a mat. The film's epigraph, ironically, is a famous remark by Schweitzer himself: "All we can do is allow others to discover us, as we discover them." "Gripping, vast, animated, with something profoundly magical...In Le Grand Blanc... the cinema truly meets Africa." - Le Nouvel Observateur. "Audacious...The filmmaker presents the story of Schweitzer from an incisive, intellectually provocative point of view." - Le Monde. "Challenging...Period detail is painstakingly recreated to present an utterly unromantic view of colonial Africa." - Variety. "Though the subject is in the past, the filmmaker succeeds in describing today's Africa of humanitarian NGOs and voluntary doctors of which Schweitzer was, unwittlingly, the forerunner." - Ecrans d'Afrique.
System Details
Mode of access: World Wide Web.

Citations

APA Citation, 7th Edition (style guide)

Bassek Ba Kobhio 1957-., Berenson, M. 1., & Wilms, A. 1. (2015). Le Grand Blanc De Lambarene . Kanopy Streaming.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Bassek Ba Kobhio 1957-, Marisa 1947- Berenson and André 1947- Wilms. 2015. Le Grand Blanc De Lambarene. Kanopy Streaming.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Bassek Ba Kobhio 1957-, Marisa 1947- Berenson and André 1947- Wilms. Le Grand Blanc De Lambarene Kanopy Streaming, 2015.

MLA Citation, 9th Edition (style guide)

Bassek Ba Kobhio 1957-, Marisa 1947- Berenson, and André 1947- Wilms. Le Grand Blanc De Lambarene Kanopy Streaming, 2015.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

Staff View

Grouped Work ID
a867c2e1-62a4-2330-cdb9-7a7f65992549-fre
Go To Grouped Work

Grouping Information

Grouped Work IDa867c2e1-62a4-2330-cdb9-7a7f65992549-fre
Full titlegrand blanc de lambarene
Authorkanopy
Grouping Categorymovie
Last Update2023-07-20 17:23:01PM
Last Indexed2024-07-20 04:42:24AM

Book Cover Information

Image Sourcesideload
First LoadedApr 3, 2023
Last UsedAug 11, 2023

Marc Record

First DetectedJan 19, 2023 03:46:40 PM
Last File Modification TimeJul 20, 2023 05:23:54 PM

MARC Record

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500 |a Title from title frames.
518 |a Originally produced by California Newsreel in 1995.
520 |a A revisionist perspective on Nobel Peace Prize winner Albert Schweitzer rewrites the history of colonialism from the point of view of the colonized. Cameroonian filmmaker Bassek ba Kobhio provides a fascinating revisionist perspective on Albert Schweitzer, Noble Peace Prize winner and secular saint of the colonial era. This film begins to rewrite the history of colonialism from the point of view of the colonized. Le Grand Blanc de Lambaréné is not, however, a facile exercise in iconoclasm but rather a deeply-felt lament for a missed opportunity, for a cross-cultural encounter between Africa and Europe which never happened. Shot on the site of Schweitzer's hospital in Gabon, Bassek ba Kobhio elicits psychologically complex portrayals from his actors as he did in his earlier California Newsreel release, Sango Malo. Behind Schweitzer's impenetrable reserve, Ba Kobhio discovers a man blinded to the people around him by his own spiritual self-absorption and arrogance. For Schweitzer to see himself as a stern but loving father, he had to cast Africans as childlike primitives whom he could protect from the temptations of modernity. He even refused to install electrical generators or institute modern sanitation in his hospital's wards. In the film, an African boy Schweitzer discouraged from becoming a doctor, returns with his degree and rebukes him: "The independence of the people has never been your concern. You only wanted to share their hell in the hope of reaching your heaven." The film reveals that the ultimate tragedy of colonialism may have been its refusal to see and value the colonized as autonomous, creative human beings. Schweitzer knew numerous European languages but never learned to speak the local tongue; he was an accomplished organist and Bach scholar who never evinced any interest in African music. Ba Kobhio represents the richness of Africa through Bissa, a beautiful concubine the local chief gives le Grand Blanc. Though clearly tempted, Schweitzer remains aloof; only at his death does he invite her to sleep in his bed rather than on a mat. The film's epigraph, ironically, is a famous remark by Schweitzer himself: "All we can do is allow others to discover us, as we discover them." "Gripping, vast, animated, with something profoundly magical...In Le Grand Blanc... the cinema truly meets Africa." - Le Nouvel Observateur. "Audacious...The filmmaker presents the story of Schweitzer from an incisive, intellectually provocative point of view." - Le Monde. "Challenging...Period detail is painstakingly recreated to present an utterly unromantic view of colonial Africa." - Variety. "Though the subject is in the past, the filmmaker succeeds in describing today's Africa of humanitarian NGOs and voluntary doctors of which Schweitzer was, unwittlingly, the forerunner." - Ecrans d'Afrique.
538 |a Mode of access: World Wide Web.
60010|a Schweitzer, Albert|d 1875-1965.
650 0|a Missionaries|x Medical Missionaries|v Drama|z Africa|z Gabon.
650 0|a Nobel Peace Prize winners|v Drama|z Africa.
655 7|a Feature films.|2 lcgft
7001 |a Bassek Ba Kobhio|d 1957-|e film director.
7001 |a Berenson, Marisa |d 1947-|e actor.
7001 |a Wilms, André |d 1947-|e actor.
7102 |a Kanopy (Firm)
85640|u https://mountainview.kanopy.com/node/139692|z A Kanopy streaming video
85642|z Cover Image|u https://www.kanopy.com/node/139692/external-image