Lustmord: Sexual Murder in Weimar Germany

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Princeton University Press, 2020.
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APA Citation, 7th Edition (style guide)

Maria Tatar., & Maria Tatar|AUTHOR. (2020). Lustmord: Sexual Murder in Weimar Germany . Princeton University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Maria Tatar and Maria Tatar|AUTHOR. 2020. Lustmord: Sexual Murder in Weimar Germany. Princeton University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Maria Tatar and Maria Tatar|AUTHOR. Lustmord: Sexual Murder in Weimar Germany Princeton University Press, 2020.

MLA Citation, 9th Edition (style guide)

Maria Tatar, and Maria Tatar|AUTHOR. Lustmord: Sexual Murder in Weimar Germany Princeton University Press, 2020.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID5d5f3c05-38c1-d812-1703-e5dfb639f3ae-eng
Full titlelustmord sexual murder in weimar germany
Authortatar maria
Grouping Categorybook
Last Update2024-01-15 17:09:02PM
Last Indexed2024-02-24 03:36:07AM

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    [synopsis] => Maria Tatar is Professor of German at Harvard University. She is the author of Off with Their Heads! Fairy Tales and the Culture of Childhood, The Hard Facts of the Grimm's Fairy Tales, and Spellbound: Mesmerism and Literature, all published by Princeton University Press. 
	In a book that confronts our society's obsession with sexual violence, Maria Tatar seeks the meaning behind one of the most disturbing images of twentieth-century Western culture: the violated female corpse. This image is so prevalent in painting, literature, film, and, most recently, in mass media, that we rarely question what is at stake in its representation. Tatar, however, challenges us to consider what is taking place--both artistically and socially--in the construction and circulation of scenes depicting sexual murder. In examining images of sexual murder (Lustmord), she produces a riveting study of how art and murder have intersected in the sexual politics of culture from Weimar Germany to the present.

 Tatar focuses attention on the politically turbulent Weimar Republic, often viewed as the birthplace of a transgressive avant-garde modernism, where representations of female sexual mutilation abound. Here a revealing episode in the gender politics of cultural production unfolds as male artists and writers, working in a society consumed by fear of outside threats, envision women as enemies that can be contained and mastered through transcendent artistic expression. Not only does Tatar show that male artists openly identified with real-life sexual murderers--George Grosz posed as Jack the Ripper in a photograph where his model and future wife was the target of his knife--but she also reveals the ways in which victims were disavowed and erased.

 Tatar first analyzes actual cases of sexual murder that aroused wide public interest in Weimar Germany. She then considers how the representation of murdered women in visual and literary works functions as a strategy for managing social and sexual anxieties, and shows how violence against women can be linked to the war trauma, to urban pathologies, and to the politics of cultural production and biological reproduction.

 In exploring the complex relationship between victim and agent in cases of sexual murder, Tatar explains how the roles came to be destabilized and reversed, turning the perpetrator of criminal deeds into a defenseless victim of seductive evil. Throughout the West today, the creation of similar ideological constructions still occurs in societies that have only recently begun to validate the voices of its victims. Maria Tatar's book opens up an important discussion for readers seeking to understand the forces behind sexual violence and its portrayal in the cultural media throughout this century. "A compelling chronicle of Weimar Germany's disturbing and pervasive fascination with the sexually motivated murder of women, Lustmord breaks new ground in our understanding of German art and culture during this turbulent period between the two world wars.... Tatar has written a brilliant book of art and cultural criticism, a book that scholars and theorists of the Weimar period will have to contend with for some years to come."---Patrice Petro, Art in America "Tatar's book is particularly relevant today, amid the heated debates over violence, even as the images become more brutal and sensational, and the camera more voyeuristic and merciless."---Barbara Kosta, The Women's Review of Books "A profound and provocative contribution to our understanding of sexual combat and the aestheticization of violence in modern culture."---Leslie Kitchen, The Bloomsbury Review "Lustmord is an unsettling study, rich both in documentation and speculation, that will change the way we look at Weimar as well as contemporary art. . . . All this in prose that is all the more enviable for its precision, lucidity, and pithiness."---William Collins Donahue, German Politics and Society "Not for the first time--though
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