Traces of Modernity
(eBook)

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Published
Collective Ink, 2012.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781846948145

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Citations

APA Citation, 7th Edition (style guide)

Dan Smith., & Dan Smith|AUTHOR. (2012). Traces of Modernity . Collective Ink.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Dan Smith and Dan Smith|AUTHOR. 2012. Traces of Modernity. Collective Ink.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Dan Smith and Dan Smith|AUTHOR. Traces of Modernity Collective Ink, 2012.

MLA Citation, 9th Edition (style guide)

Dan Smith, and Dan Smith|AUTHOR. Traces of Modernity Collective Ink, 2012.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID5a424d7f-f371-88b4-ed6f-9b790d9c855f-eng
Full titletraces of modernity
Authorsmith dan
Grouping Categorybook
Last Update2024-02-17 17:00:19PM
Last Indexed2024-02-20 03:16:36AM

Book Cover Information

Image Sourcehoopla
First LoadedApr 8, 2023
Last UsedApr 9, 2023

Hoopla Extract Information

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    [synopsis] => This book offers critical engagements with four objects from the nineteenth century: The ruins of the Crystal Palace in Sydenham and the dinosaurs that remain, the Albert Memorial in Kensington Gardens, Oxford's Pitt Rivers Museum and the short novel by H.G. Wells, The Time Machine. These provide very, different forms of encounter, but are, bound by the shadow, of the Great Exhibition of 1851. This immense spectacle helped forge our understanding of display, surveillance and commodity. This legacy can be, detected in the development of the modern museum and gallery as well as the shaping of spaces and structures of trade, commerce and political display, denying any possibility of conceptually separating these sites. Linked by a cumulative narrative that binds the mid nineteenth century to the early twenty-first, these four objects are, identified as formative traces of the past within the present. They provide models for critical thought and suggest answers to the problematic conditions that they present as ideologically specific relics from a previous age.
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