Leaving Disneyland: A Novel
(eBook)

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Published
St. Martin's Publishing Group, 2014.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781466874800

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Citations

APA Citation, 7th Edition (style guide)

Alexander Parsons., & Alexander Parsons|AUTHOR. (2014). Leaving Disneyland: A Novel . St. Martin's Publishing Group.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Alexander Parsons and Alexander Parsons|AUTHOR. 2014. Leaving Disneyland: A Novel. St. Martin's Publishing Group.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Alexander Parsons and Alexander Parsons|AUTHOR. Leaving Disneyland: A Novel St. Martin's Publishing Group, 2014.

MLA Citation, 9th Edition (style guide)

Alexander Parsons, and Alexander Parsons|AUTHOR. Leaving Disneyland: A Novel St. Martin's Publishing Group, 2014.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID1403841c-4a16-5c64-d6cd-5d097f2c8c7d-eng
Full titleleaving disneyland
Authorparsons alexander
Grouping Categorybook
Last Update2023-08-24 18:04:02PM
Last Indexed2024-04-13 02:26:09AM

Book Cover Information

Image Sourcehoopla
First LoadedSep 5, 2023
Last UsedApr 3, 2024

Hoopla Extract Information

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    [synopsis] => In Alexander Parsons's Leaving Disneyland, Doc Kane is sixteen years into a twenty-year murder sentence. Days away from a parole hearing, he means to get out and start a new life as a Square John-a law-abiding citizen. Within the predatory confines of Tyburn Penitentiary, however, he has debts to pay. To start, Doc has his duties as a "heavy" in the D.C. Blacks, a gang that has protected him. Then there is his new cellmate, a young dealer doing life without parole whose ignorance of the prison's code threatens them both. Finally, there are the guards: Sergeant Grippe, who is bent on "rehabilitating" Doc, and Raven, whose intentions are veiled but no less menacing.

Beyond these dangers, Doc faces a deeper dilemma, one embodied by Dead Earl, a thumbless junkie and reminder of a past Doc would deny. The experience of sixteen years surviving in a violent prison has shaped Doc as profoundly as a river does its course. And if character is fate, Doc's chances for a life on the straight-and-narrow are slim unless he can reshape himself. This, he discovers, is the real struggle. If he's to have any hope for his future, he must first confront his past.
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