Marvelous Bodies: Italy's New Migrant Cinema
(eBook)

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Published
Purdue University Press, 2017.
Status
Available Online

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Physical Description
0m 0s
Format
eBook
Language
English
ISBN
9781612494890

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APA Citation, 7th Edition (style guide)

Vetri Nathan., & Vetri Nathan|AUTHOR. (2017). Marvelous Bodies: Italy's New Migrant Cinema . Purdue University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Vetri Nathan and Vetri Nathan|AUTHOR. 2017. Marvelous Bodies: Italy's New Migrant Cinema. Purdue University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Vetri Nathan and Vetri Nathan|AUTHOR. Marvelous Bodies: Italy's New Migrant Cinema Purdue University Press, 2017.

MLA Citation, 9th Edition (style guide)

Vetri Nathan, and Vetri Nathan|AUTHOR. Marvelous Bodies: Italy's New Migrant Cinema Purdue University Press, 2017.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID13a2d426-2c23-80f4-178c-c443114a7a63-eng
Full titlemarvelous bodies italys new migrant cinema
Authornathan vetri
Grouping Categorybook
Last Update2024-09-26 06:41:02AM
Last Indexed2024-10-05 02:53:40AM

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Image Sourcehoopla
First LoadedMar 22, 2023
Last UsedAug 3, 2024

Hoopla Extract Information

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    [synopsis] => Historically a source of emigrants to Northern Europe and the New World, Italy has rapidly become a preferred destination for immigrants from the global South. Life in the land of la dolce vita has not seemed so sweet recently, as Italy struggles with the cultural challenges caused by this surge in immigration. Marvelous Bodies by Vetri Nathan explores thirteen key full-length Italian films released between 1990 and 2010 that treat this remarkable moment of cultural role reversal through a plurality of styles. In it, Nathan argues that Italy sees itself as the quintessential internal Other of Western Europe, and that this subalternity directly influences its cinematic response to immigrants, Europe's external Others. In framing his case to understand Italy's cinematic response to immigrants, Nathan first explores some basic questions: Who exactly is the Other in Italy? Does Italy's own past partial alterity affect its present response to its newest subalterns? Drawing on Homi Bhabha's writings and Italian cinematic history, Nathan then posits the existence of marvelous bodies that are momentarily neither completely Italian nor completely immigrant. This ambivalence of forms extends to the films themselves, which tend to be generic hybrids. The persistent curious presence of marvelous bodies and a pervasive generic hybridity enact Italy's own chronic ambivalence that results from its presence at the cultural crossroads of the Mediterranean.
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