Levinas and the Cinema of Redemption: Time, Ethics, And The Feminine
(eBook)

Book Cover
Average Rating
Published
Columbia University Press, 2010.
Status
Available Online

Description

Loading Description...

Also in this Series

Checking series information...

More Like This

Loading more titles like this title...

More Details

Format
eBook
Language
English
ISBN
9780231519496

Reviews from GoodReads

Loading GoodReads Reviews.

Citations

APA Citation, 7th Edition (style guide)

Sam B. Girgus., & Sam B. Girgus|AUTHOR. (2010). Levinas and the Cinema of Redemption: Time, Ethics, And The Feminine . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Sam B. Girgus and Sam B. Girgus|AUTHOR. 2010. Levinas and the Cinema of Redemption: Time, Ethics, And The Feminine. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Sam B. Girgus and Sam B. Girgus|AUTHOR. Levinas and the Cinema of Redemption: Time, Ethics, And The Feminine Columbia University Press, 2010.

MLA Citation, 9th Edition (style guide)

Sam B. Girgus, and Sam B. Girgus|AUTHOR. Levinas and the Cinema of Redemption: Time, Ethics, And The Feminine Columbia University Press, 2010.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

Staff View

Go To Grouped Work

Grouping Information

Grouped Work ID195dfc62-c37a-4a54-16af-1f43e936625b-eng
Full titlelevinas and the cinema of redemption time ethics and the feminine
Authorgirgus sam b
Grouping Categorybook
Last Update2023-08-03 01:57:27AM
Last Indexed2024-02-24 02:41:20AM

Book Cover Information

Image Sourcehoopla
First LoadedApr 4, 2023
Last UsedFeb 6, 2024

Hoopla Extract Information

stdClass Object
(
    [year] => 2010
    [artist] => Sam B. Girgus
    [fiction] => 
    [coverImageUrl] => https://cover.hoopladigital.com/csp_9780231519496_270.jpeg
    [titleId] => 11864345
    [isbn] => 9780231519496
    [abridged] => 
    [language] => ENGLISH
    [profanity] => 
    [title] => Levinas and the Cinema of Redemption
    [demo] => 
    [segments] => Array
        (
        )

    [pages] => 272
    [children] => 
    [artists] => Array
        (
            [0] => stdClass Object
                (
                    [name] => Sam B. Girgus
                    [artistFormal] => Girgus, Sam B.
                    [relationship] => AUTHOR
                )

        )

    [genres] => Array
        (
            [0] => Aesthetics
            [1] => Deconstruction
            [2] => Film & Video
            [3] => History & Criticism
            [4] => Movements
            [5] => Performing Arts
            [6] => Philosophy
        )

    [price] => 3.29
    [id] => 11864345
    [edited] => 
    [kind] => EBOOK
    [active] => 1
    [upc] => 
    [synopsis] => In his philosophy of ethics and time, Emmanuel Levinas highlighted the tension that exists between the "ontological adventure" of immediate experience and the "ethical adventure" of redemptive relationships-associations in which absolute responsibility engenders a transcendence of being and self. In an original commingling of philosophy and cinema study, Sam B. Girgus applies Levinas's ethics to a variety of international films. His efforts point to a transnational pattern he terms the "cinema of redemption" that portrays the struggle to connect to others in redeeming ways. Girgus not only reveals the power of these films to articulate the crisis between ontological identity and ethical subjectivity. He also locates time and ethics within the structure and content of film itself. Drawing on the work of Luce Irigaray, Tina Chanter, Kelly Oliver, and Ewa Ziarek, Girgus reconsiders Levinas and his relationship to film, engaging with a feminist focus on the sexualized female body. Girgus offers fresh readings of films from several decades and cultures, including Frank Capra's Mr. Smith Goes to Washington (1939), Federico Fellini's La dolce vita (1959), Michelangelo Antonioni's L'avventura (1960), John Huston's The Misfits (1961), and Philip Kaufman's The Unbearable Lightness of Being (1988).
    [url] => https://www.hoopladigital.com/title/11864345
    [pa] => 
    [series] => Film and Culture
    [subtitle] => Time, Ethics, And The Feminine
    [publisher] => Columbia University Press
    [purchaseModel] => INSTANT
)