3 Sarabandes: No. 2, "à Maurice Ravel" (Excerpt) (1:03)
On 16 January 1911, French Composer Maurice Ravel… (8:16)
Gnossiennes: No. 3, Lent (Excerpt) (1:41)
An Extract from the Third Movement of Satie's Gnossiennes… (6:14)
Valse-Ballet (Excerpt) (1:27)
The Valse-Ballet Was Not Only Satie's First Substantial Piece… (2:36)
4 Ogives: No. 1, Première Ogive (1:45)
In November 1886, Satie Left the Conservatoire… (3:12)
3 Gymnopédies: No. 3, Lent et grave (Arr. C. Debussy for Orchestra) [Excerpt] (0:59)
In the Spring of 1890, Satie Moved Higher Up… (3:50)
3 Sonneries de la Rose+Croix: No. 1, Air de l'ordre (Version for Piano) [Excerpt] (1:35)
On 14 August 1892, After a Short but Intense Period… (3:11)
Vexations (Excerpt) (1:22)
Satie's Outward Appearance Was Soon to Change… (4:15)
3 Morceaux en forme de poire (Excerpt) (0:45)
The Pear Pieces, Finished in November 1903… (1:45)
En habit de cheval: No. 2, Fugue litanique (Excerpt) (1:16)
1911, of Course, Was the Year of the Breakthrough Concert… (3:57)
Sports et divertissements: No. 1, Choral inappétissant (0:42)
The Commission of Sports et divertissements… (2:01)
Parade: IV. Petite fille américaine (Excerpt) (2:35)
There Was Quite a Commotion at Parade's Premiere… (4:05)
Musique d'ameublement, Set 1: No. 1, Tapisserie en fer forgé (Arr. for Piano 4 Hands) (1:25)
Curiously, the Function of Satie's Musique d'ameublement… (3:12)
Mercure, Scene 3: Le Chaos (0:35)
Mercure, Like Parade, Created Quite a Stir on Its Premiere… (3:42)
Relâche, Act I: Cinéma (Excerpt) (1:15)
In a Sense, Critics' Response to Relâche… (2:40)
Relâche, Act II: Petite danse finale; La queue du chien (Excerpt) (0:34)
